Jessica by Photographer / 古夫 & Chris Lai

Jessica by Photographer / 古夫 & Chris Lai10268512_616952058389308_3815288798027943080_n 10258807_616951791722668_7139616200788623885_n 10256816_616952038389310_5774513166882831024_n 10245322_616949558389558_4711528894883242044_n 10177350_616949861722861_8193648089030899193_n 10174921_616951515056029_4992055752730851167_n 10151940_616949471722900_597593653518752092_n 10006191_616950001722847_7126834021489522805_n 1496701_616949828389531_5779317755788161279_n

為了報殺父之仇,斷發奉道,一輩子不婚嫁不生育。宮二是古典的悲劇的典型。代表了“民國人的剛烈達到的極致”。
宮二與葉問作為對立面,他們一陰一陽,宮二說,葉問的詠春拳只有“眼前路”,是指詠春基本上是直線的,最主要的是面對面,遵循兩點之間直線最短。但宮二的八卦掌,則認為兩點之間最短但不一定是最快。八卦掌會繞圈,走到對手的背後再出擊。這代表了兩種人生態度,有一種人眼睛永遠都是望著前面,而宮二是永遠看著後面,到最後她寧願留下,因為她的一生都在回頭。

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